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Kevin Durant ‘Always Reppin’

Posted by Gabe Hiatt on February 4, 2014 – 5:09 pm

Here’s a selfie of Kevin Durant in a Redskins beanie because he had us worried for a second.

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Redskins 2014 Coaching Staff Fact Sheet

Posted by Gabe Hiatt on February 4, 2014 – 4:18 pm

The Redskins introduced three more coaches Tuesday afternoon, finalizing rookie head coach Jay Gruden’s inaugural staff.

Between Gruden and the team’s coordinators, position coaches and their assistants, the group has more than 130 years of combined experience in NFL coaching or scouting. Eight of 16 coaches are younger than 40. Four coaches come to Washington from collegiate stints.

Take a look:

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Kevin Harlan Realized Cooley’s Dream

Posted by Gabe Hiatt on February 4, 2014 – 12:00 pm

Chris Cooley

Chris Cooley squeezed in a wish for Kevin Harlan, asking one favor from the veteran NFL voice in an ESPN980 interview from Super Bowl XLVIII Radio Row last week.

“All I ever wanted to do was score a touchdown in the Super Bowl. I never got it,” Cooley said. “Can I paint a picture? We’re on the 25-yard line, and I just want to hear your voice say that Cooley scores.”

Harlan, who will call his fourth straight Super Bowl for Westwood One, obliged. Click on the 10:35 mark to hear Harlan call the play that hands Washington a fantasy radio land Lombardi trophy.

This brings new meaning to fake it ’til you make it.  Read more »

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How London Fletcher And Art Monk Filmed The Declaration Of Independence For Fox

Posted by Gabe Hiatt on February 4, 2014 – 6:00 am


Two men stood on their marks and shivered in front of a 20-foot metal arm while the wind off the Tidal Basin bit their cheeks.

Their teeth did not chatter as as they spoke the 237-year old words originally drafted by the man standing 19-feet tall in bronze at the top of the  marble steps.

Art Monk and London Fletcher were supposed to show off their suits for the camera, but the chill at the Thomas Jefferson Memorial demanded overcoats to shield the tailored fabric. A member of the Fox Sports crew craned the camera jib upwards up before gliding it down, creating a sweeping effect to meet the project’s “look ethic.” Read more »

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